Cindy Crabb's desk
I don’t remember when I got my first issue of Doris zine. I was in high school, and had started going to punk shows at Gilman St. with my sister’s best friend from high school. There were ripped up couches and graffiti all over the walls and people yelling and dancing and smashing into each other. There were little booklets in the shop and my surrogate older sister gave me a bunch of zines, these magazines that real people like me wrote and glued together and photocopied late at night at Kinko’s. I started reading about all these people who did things differently with their lives. They didn’t grow up and buy a house and have kids in the suburbs. They traveled on cheap greyhound bus tickets, putting their fate in the hands of strangers, doing things you weren’t supposed to do like jumping trains and living in tree houses and reading books and planting gardens instead of working. I learned to dance like those kids in the clubs. I learned to yell my heart out and make out on the sidewalk. I learned to cut my own hair and I learned that I didn’t need anyone to tell me that I was good at something to do it. This is what I liked most about punks: they just did what they wanted and made art and music and culture themselves without waiting for permission or approval from anyone.
Somewhere along this path I found Doris zine at the anarchist bookstore by my school. I’d read it on the bus, and it was like I had a new secret best friend. Cindy, who started writing Doris in the early 90s spoke about her adventures. Traveling, running away, reading and trying to teach herself how to do things. She built boats that sank and danced in the rain and bailed water from her flooded tents. She taught me about things I never thought or knew about before, like herbal abortion, learning about your body, questioning society, living outside of meritocracy, anarchism, learning on your own, and doing things for for the sake of doing them instead of waiting or working for praise. Her writing reaches directly from her heart to mine, as she works through all the things good and bad and heartbreaking that happen when you live. She is my greatest role model. I want to be like her, making things with my own two hands, trying to learn even when I think it’s impossible, have courage against any fear to create and make things grow and learn about truth and community and being yourself and healing yourself and understanding other people. Cindy sees the world I see and her writings are a window into this universe I’m always trying to find.
By now, I’ve been reading this zine for 10 years and she has managed still to write in a way that’s so close to my heart I sometimes mistake her for myself.
“I used to worry about – what does it mean to be a real writer? Was I one? Was it good or did it suck? What if I didn’t spend enough time writing? Was I a fake? What if I was stuck? What was the point? I thought there had to be an answer, a key. I read books about writing and books about creating a writer’s life … and I couldn’t figure out, was I real. Was I a real writer or just a fake. Eventually I figured out that the whole question was bullshit. The question “was I a real writer” was part of the competative system I wanted to destroy, where everyone is suppose to strive to do something brand new that’s never been done, to make a mark on history, to be better than everyone else. I didn’t want that shit, so why was I looking to those models for legitimacy. I had to ask questions like – why did I write. and then hold myself accountable to my own reasons and standards.” excerpt from Doris #27 “Writing”
Her words have had such unknowable impact on my growing brain. I probably wouldn’t be who I am today if I hadn’t found her zine. You should read it to, it may change you’re life. Get Doris zines and Anthology here. Buy some for your friends too. And she makes cute skirts you can buy too. And read her blog. She is amazing and has tons of awesome stuff she does.
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I totally remember that zine! It’s been awhile, and I think I’ve lost all my old issues, but stoked to hear she’s still writing it. And blogging!
Love how you captured Gilman, and how the punk scene supplies girls with some really rad role models. I can totally relate to looking up to the cool, older writer punk girl.